Two Faces of Desire

Damiel on top of a Roman Catholic Church, West Berlin (Long-Shot)

Desire for Humanity

Peter Falk and Damiel’s first interaction (Medium-Shot)
Introductory Shot (Close-Up)

Desire for Love

Marion as a Trapeze Artist (Point-Of-View Shot)
Vertigo (1958)

So what does Wenders say about Desire?

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